When you've made a very modern tale of a troubled man struggling to live with his super powers, what's left but to tackle a mythical yet tormented Greek hero? Peter Berg, who directed Will Smith to box office success in Hancock, will reboot one ot the original superheroes, Hercules, according to Variety.

Hercules: The Thracian Wars, a five-issue comic book series by Steve Moore issued in May by Radical Publishing, will provide the source material. Ryan Condal, recently tapped to adapt Warren Ellis' comic mini-series/graphic novel Ocean, will write the script; Berg will direct and co-produce.

The plot synopsis for the series describes Hercules as a "tormented soul ... neither god nor man." When the King of Thrace hires him "to train his men to become the greatest army of all time," Herc and his buddies are prompted to consider whey they have such a ruthless, bloodthirsty reputation. Berg intends to stay true to the "conflicts and redemption" in Moore's character-driven comic book series.

When another project about Hercules was announced last year, Christopher Campbell questioned if there had ever been a decent Hercules movie. (He ran down most of them.) So, three questions: (1) Is the comic book any good? (2) Is Berg the right director to reboot Herc? (3) Who could play the muscular Greek hero without making people laugh at him?

Film critics are often criticized themselves for being the wrong audience for a movie they've panned. Whether it's old white guys who aren't the right audience for a Tyler Perry movie or old white guys who can't appreciate a "chick flick," the subjectivity of certain reviewers is sometimes even called out for being too racist, sexist or otherwise prejudiced. We saw a high level of apparent chauvinism going on recently with the release of Sex and the City, and now it's happening again with Mamma Mia! Last Friday, in her his review, New York Sun critic Grady Hendrix* noted that Mamma, "has been getting generally good reviews, but it's also been getting trashed by some critics who all have one thing in common: They're men." And the claim has now been escalated by Liz Smith, who quotes Hendrix in the Page Six section of today's New York Post.

Despite my half-belief that Hendrix has a point about some male critics, I didn't want her his claim to go unchecked. Especially because her his review went out on the same day that most newspaper reviews went out. Meaning, how could she have known the true demographics of all negative and positive reactions? Going through all the Mamma Mia! reviews sampled on Rotten Tomatoes, here is what I discovered:

Man, has this day brought us news of film-based video games aplenty -- one of which you can play for free right now and the rest of which some of you simply can't wait for.

But you'll have to. Wait, that is. They haven't made the darn things yet. Sheesh, hold your horses already.

Trade publication Variety tells us of these titles over the course of two separate articles. One piece points out Universal's plan to crank out several games based on their properties, but only names their highest-profile property at the moment: Wanted. If any of you have seen the film (and a $123 million gross would suggest as much), then you know just how well it should lend itself to the format, what with the bullet curving and knife fighting and Angelina Jolie ogling.

To triple dip or to wait? That is the question facing Dude-loving fans of the Coen Brothers' cracked comedy The Big Lebowski, which is due out on September 9 in a Tenth Anniversary Edition from Universal Home Video. Jeff Bridges, John Goodman, John Turturro, Steve Buscemi, and Julianne Moore star. The announcement was made without details on bonus features; DVD Active has now posted pictures of the menu screens, so we know what's new.

The Big Lebowski was initially released on DVD in 1998, and then was remastered for the 2005 Collectors' Edition. That edition included a "making of" feature, photos by Jeff Bridges, and a brief, jokey introduction. Those extras were included on the HD-DVD edition, released in June 2007 (and reviewed at High-Def Digest). The Tenth Anniversary Edition features those extras plus more: "The Dude's Life," "The Dude Abides: The Big Lebowski Ten Years Later," production notes, theatrical trailer, "The Lebowski Fest: An Achiever's Story," "Flying Carpets and Bowling Pin Dreams: The Dream Sequences of the Dude," interactive map, and photo gallery.

A standard Tenth Anniversary Edition will reportedly retail for $19.98, while a Limited Edition "in special bowling ball packaging" (pictured) will also be available. No news on a Blu-ray edition, though, so the question remains: will you triple dip or wait for Blu-ray? Or will you roll this sucker into your alley? The Dude wants to know.

I'm slightly mistrustful of titles that include exclamation points. They always remind me of the musical version of The Elephant Man, Elephant!, in The Tall Guy ("... there's an angel with big eeears..."). But in the case of Mamma Mia!, I'm actually surprised the title only included one exclamation point -- you can imagine the filmmakers or the creators of the stage version embracing even more emphatic punctuation, just to let you know that This! Is a Musical! And also Wacky!! As if chorus lines of men in flippers, Meryl Streep waving a feather boa, and enough ABBA music to sate the leads of Priscilla, Queen of the Desert wouldn't have clued you in.

The movie, like the stage musical it's adapted from, is essentially and unabashedly an extended gimmick -- an excuse to sing and perform songs that originated from the Swedish musical group ABBA. Characters spontaneously burst into song not because they're aspiring performers (Chicago), or because their singing is meant as a melodious soliloquy (Sweeney Todd), but because the situation or their emotional state reminds them of an ABBA song (sometimes more tangentially than others), and they decide to share it with everyone. I've had friends like this in real life, although that seems to have been a college-age thing.

If you're a fan of the 1999 BBC series that turned Clive Owen into a movie star, I've got some good news. If, however, you're just an average American who has never heard of Second Sight, then I simply have some news. And here it is:

Universal has decided to turn the series into a movie. Producers Don Murphy and Susan Montford have tapped screenwriter Craig Rosenberg to do the adaptation duty. According to Variety, it's about a cop "who leads an elite unit that tackles high-profile murder cases while suffering from a rare degenerative eye disease that causes hallucinations and increasing blindness." Wait, the whole unit suffers from a rare degenerative eye disease? Because that's either one amazing coincidence or one really inept personnel manager.

For the sort of movie we might expect, let's note that Don Murphy was a producer on Transformers, Shoot 'Em Up, The League of Extraordinary Gentlemen and (the very underrated) From Hell. For Mr. Rosenberg's part, he's a relative new guy who's done a lot of work on Lost (and he also penned After the Sunset), but he also has The Uninvited on the way.

No word yet on who'll be starring as the optically-challenged policeman, but I'm sure nobody would mind if Clive Owen signed up for the job.

Special Note: This project is in no way related to this film. Shame on you for even remembering this film.

Much like the characters in the best-selling game, Castlevania is the movie that will not die. So far the film has undergone personnel changes and became one of the many causalities of the writers strike; but you can't keep a so-so idea down, and it looks like the project is up and running again. Talk of the film has surfaced again now that a script review for Paul W.S. Anderson's screenplay has appeared over at CC2K -- But I should warn you, it's not looking good.

Early previews on Kotaku, described the script as the story of an, "adult Trevor Belmont who, with his fellow "battle-hardened" brother Christopher, is ordered by his king-through man of god Lucius-to dispatch you-know-who." But, according to CC2K's tipster, the latest incarnation of the story is more of a rip-off of Bram Stoker's Dracula with very few similarities to the Belmonts that fans know and love.

Originally, Anderson was going to direct as well as handle the script, but as we all know, he later dropped the project to work on Death Race. Enter Sylvain White (Stomp the Yard) to take over directing duties, and who is still committed to the project despite the lack of a solid start date.

Having never played the games, I can't say I'm all that worried about the changes Anderson has potentially made to the Castlevania 'canon'. But I know that fans probably feel a little differently; so get it all off your chest, believe me, you'll feel better.

[Thanks: Ain't It Cool News]

When it comes to Hollywood movies, Chinese censors have always been a little strict. Case in point: The State Administration for Radio, Film and Television tells Variety that the upcoming release of The Mummy 3 Tomb of the Dragon Emperor is still pending until Universal makes unspecified changes to the flick. The censors didn't give any details about what would have to be cut from the film, but speculation has it that the source of the problem is "usually themes involving ghosts are taboo in China".

Emperor sets the new and improved O'Connell family (Brendan Fraser, Luke Ford, and Maria Bello) smack dab in the middle of another adventure battling a tyrannical emperor (Jet Li) and his legion of undead armies. Universal already made some concessions to the Chinese government in exchange for permission to shoot on location. According to Variety Universal was urged to make the film, "less political and more focused on fantasy than real history" -- Less political? Now that's a word I would have never associated with the Mummy franchise.

A flack for Universal has already released a statement saying, "Universal does not anticipate any obstacles to clearing the film for China and looks forward to releasing "The Mummy: Tomb of The Dragon Emperor" in the country where it was set and shot." Translation: We just spent $145 million bucks on this movie, and we want some of those Chinese box-office dollars. Emperor is just the latest Hollywood production to get a rough deal from Chinese censors, but at least they are in good company. On the upside, I guess the Chinese will never know what they're missing.

The Mummy 3 Tomb of the Dragon Emperor opens on August 1st, 2008.

Speaking with the press in Beverly Hills, Guillermo del Toro casually tossed off a line that sums up the spirit of his most recent film, Hellboy II: The Golden Army and the tone he and his cast achieved: "When you go see a movie called "Hellboy," already there's an implicit, assumed certain sense of goofiness; you have to then say 'Look, we know we're pulpy, we know we're different, but we take ourselves seriously, and we want to entertain." Mike (Mignola, creator of the Hellboy comics) said it: He's not the Hell Knight, he's not the Hell Spawn, he's not the Hell Lord, he's the Hellboy. ... "

Much of the pleasure in the Hellboy series comes from the mesh and mix of the sensibilities of del Toro and Hellboy's creator Mike Mignola; I asked del Toro about the challenge of adapting someone else's material. How much of it is a struggle, and how much of it is a pleasure, to find ways to make someone else's creation yours? "I said in the past that, obviously, no matter how respectful you are of the material there's a moment ... I made the analogy that it's like marrying a widow; you have to be very respectful about the late husband, but at some point, you're going to get in bed, and the late husband is not gonna matter anymore, or it better not. And I think it's the same with material; there's a point where you go "I have only my instincts to guide me through this section ..." But, it's co-exploring. In the case of Hellboy, I've been blessed with a guy like Mike (Mignola), who is the most generous landlord of the Hellboy real estate; he says, essentially, move in, decorate as you want and make it yours."

Imagine one of the Star Trek crews transported to Tolkien's Middle Earth, or Buffy and her Scooby gang whisked away into the heart of Narnia. That's how Hellboy II: The Golden Army can feel, as you watch a cartoonish-looking, cigar-smoking demon fight gorgeous creatures right out of ancient folklore (and one Miyazaki-esque nature deity). Your reaction to such a contrast -- as fascinating, jarring or downright repellent -- will likely influence your feelings about the latest film from Guillermo del Toro, a sequel to his 2004 adaptation of Mike Mignola's graphic novels. The writer-director's previous film, Pan's Labyrinth, was a favorite of mine, and while Hellboy II doesn't quite measure up to that film's richness of character and story, it is still visually extraordinary.

I came into this film entirely ignorant of the Hellboy universe ... much like with Sex and the City, although it seems bizarre to compare Mignola's characters to Candace Bushnell's. I haven't read the graphic novels and I hadn't even seen the first movie (it was impossible to find a rental DVD of Hellboy in Austin last week, which may bode well for the popularity of the sequel). And yet, unlike Sex and the City, I didn't feel as though I must have missed something in order to fully appreciate the film. Hellboy II gives us virtually no backstory on its main characters, but that's not necessary, as the setup becomes obvious almost immediately. Sure, there were a few scenes where the comic-book fans were laughing and I didn't get the joke, but it didn't bother me and I never felt lost or confused.