If there's anyone who has pulled off a wickedly impressive image transformation, it's Angelina Jolie. She used to be the wild child who'd wear bloody tees to her wedding (with Jonny Lee), or bloody vials around her neck (as she did with Billy Bob). Then she did a 180, becoming a goodwill ambassador and starting her own multicultural Brady Bunch with Brad Pitt.
I'm happy for her, but I can't help but miss the good ol' days. She might have been wild, and she might have shocked many -- but she had a great spark, one that seems to have disappeared inside the current carefully manufactured icon she is today.
The gleam might be hidden these days, but luckily we're living in a world of DVD entertainment. We can head back to the past whenever we want to. What follows are my two favorite Jolie gigs. They're far from the best movies, but they definitely embody both the old Angelina, and a certain period of '90s rebellion. I give you: Hackers and Foxfire.
I've said before that a new film from Woody Allen is something like getting a Christmas gift from your eccentric aunt; you never know if you'll get a crocheted toilet paper cozy, or a piece of priceless heirloom jewelry. Fortunately, Allen's newest film, Vicky Cristina Barcelona, turns out to be more like the latter. The story opens with Vicky (Rebecca Hall) and Cristina (Scarlett Johansson), two best friends heading to Barcelona for eight weeks of fun.
Vicky's distant relations Judy (Patricia Clarkson) and Mark (Kevin Dunn) live in Barcelona, and have invited the girls to spend the summer there, where Vicky will do research for her Masters and Cristina will soak up the local culture. Vicky is engaged to be married to Doug (Chris Messina), a stalwart, likable, but rather boring young man, and Cristina is recovering from her latest breakup and looking for an artistic outlet for her pent-up creativity.
In a natural progression from amateur porn of the Zack and Miri variety, Elizabeth Banks has taken on some a cappella-themed production work. The Hollywood Reporter posts that the actress is going to produce a new film called Pitch Perfect, through her shingle, Brownstone Productions. Kay Cannon (30 Rock) is going to adapt the film from Mickey Rapkin's nonfiction book.
An editor at GQ, Rapkin spent some time covering a cappella college competitions, focusing on teams from the University of Virginia, Tuft University, and the University of Oregon. Oh, but this isn't just a bunch of goofy nerd singers competing. Apparently, it's a world full of "singing, groupies, partying, and rivalries."
A cappella groupies? I just can't wrap my head around this notion. Do the girls put on skimpy outfits and try to sleep with the singers? Do the performers sign breasts and keep score on their bedpost? And to think I thought a cappella wasn't sexy ... maybe it's because of performances like this.
The book will be a comedy set in this world, and so far, I'm itching to see it. It's certainly unique! As of right now, Banks isn't attached to a role in the film, but I imagined that might change once the adaptation is complete.
According to Screen Daily, Law Abiding Citizen now has a director in Frank Darabont. Citizen is the first movie to be produced under Gerard Butler's production shingle; you can read all about Evil Twins and its upcoming slate here (I am gently encouraging you to be interested in this fledgling company).
Production is set to begin on August 18th in Detroit, which I hear is becoming the new Shreveport. It's being filmed on a shoestring budget of $40 million, and the screenplay has been penned by Kurt Wimmer.
The plot has been changed quite drastically since it was first tossed around. Originally, Butler was an assistant D.A. who finds himself at the center of a traumatized victim's vigilante plot. Now, it has been revamped into the story of a criminal mastermind who controls a city from the confines of his prison cell. (Which explains why Darabont was drawn to it, and why he's a good pick. Prison dramas are a good specialty for him.) Butler is the assistant D.A. who stands in the mastermind's way.
The Weinstein Co. has added a British horror thriller to their upcoming slate of releases. According to indieWIRE, all North American rights to James Watkins' Eden Lake have been acquired by the Weinsteins at Cannes. Evidently, it's been months in the making: Fangorianoted in November 2007 that the Weinsteins were "reportedly finalizing" a deal.
Putting business aside, it sounds like writer/director Watkins, who also co-wrote My Little Eye, knows how to appeal to horror fans, telling Fangoria: "We show people's heads on fire, neck-stabbing with glass, stomach-slashing revealing intestines and kidneys and metal spikes through feet. Gritty realism in moments of ramped-up tension." (!!!!) The story follows a couple "on a romantic weekend getaway being terrorized by dysfunctional teenagers with no ethical boundaries."
Lest you think that this picture might appeal solely to horror fans, the actors who play the romantic couple have bona fide credentials. Michael Fassbender (300) has already received kudos this week for his performance as the hunger-striking IRA leader Bobby Sands in director Steve McQueen's Hunger, and is in advanced talks to play the coveted role of Heathcliff in a new version of Wuthering Heights, as Elisabeth Rappe told us earlier this week. Fassbender's better half in Eden Lake is played by Kelly Reilly (pictured), who has become even more gorgeous in the six years since she appeared in The Spanish Apartment. Explicit carnage, a hot heartthrob, and a lovely lady? Count me in.
And when I say ridiculous, I mean "WTF is going on in this flick!?" I'm not sure when this new red band trailer for Tropic Thunderwent off the deep end: Was it when Ben Stiller took a young child who was stabbing him in the back (literally) and threw him off a bridge, or was it when Stiller was holding up the decapitated head of a soldier and sticking his tongue up to its guts. Oh, I'm totally not kidding about any of that, either -- this one looks completely out of control. Kudos to Stiller; for awhile there, it looked like he was way past his prime. With Tropic Thunder, something tells me the entire crew downed a case of "something real good" and said, "Screw it, let's just go absolutely nuts with this one and really freak people out."
Tropic Thunder stars Stiller, Jack Black, Robert Downey Jr. (who's cursing in every scene ... as a black man), Brandon T. Jackson and Jay Baruchel as a group of actors shooting a Platoon-esque war film in the jungle. When that film's director (as played by Steve Coogan) decides these guys need to be "in the sh*t," the gang wind up face to face with an army of real soldiers. I can't even begin to explain this trailer -- it's probably the most disturbing, yet oddly hilarious piece of marketing material I've seen all year.
Go here. Enter your age. Let us know what you think. Tropic Thunder hits theaters on August 15.
I first heard about this film from my friend Aaron, who, honestly, hasn't stopped talking about it for over a year. He caught a screening of it at last year's Tribeca Film Festival, and absolutely fell in love. Another friend of mine was at the same screening and he loved it. Lots of people are loving it. I'm dying to love it. Will you love it, too? Moviefone has debuted the trailer for In Search of a Midnight Kiss (watch above or over on Moviefone), directed by Alex Holdridge. The film, which was shot guerrilla-style in Los Angeles after something like a two-week prep period, tells of a man who's just suffered through one of the most miserable years of his life. When his friend convinces him to post a personal ad on Craigslist (in order to avoid being alone on New Year's Eve), a girl searching for the perfect midnight kiss answers. Thus begins an eventful night that neither one will ever forget.
I'm really diggin' this trailer; definitely one of my favorites of the year so far. Well edited, well scored -- looks like my cup of Friday spiked tea. You?In Search of a Midnight Kiss hits theaters on August 1.
Uwe Boll's latest "masterpiece" Postal was scheduled to open next weekend in 1500 theaters, deliberately going up against Indiana Jones and the Kingdom of the Crystal Skull. But, according to a story at Cinema Blend, Boll's people issued a release this morning claiming that U.S. distributors have dropped the film and that it will only be released on four screens. An additional source says the film will open in five cities: New York, Los Angeles, Chicago, Denver and Tucson. Boll claims that he has even tried to rent additional screens, but to no avail.
Typically, the outspoken, outrageous director is calling it a conspiracy, the latest example of everyone being out to get him. He also says, "Theatrical distributors are boycotting 'Postal' because of its political content. We were prepared to open on 1500 screens all across America on May 23rd. Any multiplex in the U.S. should have space for us, but they're afraid."
Frankly, that's highly unlikely, just as it's unlikely that the film is being canceled because it's bad. The most likely reason is that none of Boll's films have ever turned a profit, unlike films by bad directors like Michael Bay, Eli Roth and Brett Ratner, who are moneymaking machines, despite their ineptitude. Postal stars Zack Ward as "Dude," who teams up with his cult leader uncle (Dave Foley) to heist an amusement park. Unfortunately, the Taliban(!) has the same idea at the same time. Of course, George W. Bush (Brent Mendenhall) and Osama bin Laden (Larry Thomas) also appear. Like Boll's other films, it's based on a video game.
Man, I am absolutely loving the posters they're creating for The Dark Knight. Sure, there's been like 9, 10, 357 of them, but each one packs a solid punch. Batman On Film have debuted the latest of the batch, which, obviously, showcases the film's big villain: The Joker. Only thing I don't get about this poster is why they would put the words 'Coming Soon' underneath? Why not show off the film's July 18th release date?
For those who haven't stopped in to hang out here for awhile, The Dark Knight has been a subject of debate lately. First, Elisabeth wrote a Fan Rant on the selling of that Joker toy, and how some folks are cleaning out the supply, jacking up the prices and selling it on eBay -- profiting off Ledger's death and the increased demand for a collectible. Meanwhile, I pondered whether Ledger may get himself an Oscar nod out of this role; how it's about damn time we start recognizing the wonderful performances in these fanboy flicks, instead of focusing solely on special effects and sound editing. So feel free to chime in here or on those other posts. Unlike the poster, we'll tell you The Dark Knight arrives in theaters on July 18.
Welcome back to another edition of Insert Caption -- the game everyone in Narnia was talking about a thousand years from now! Last week we asked you to dust off that pimpin' fedora and come up with a caption for a photo from Indiana Jones and the Kingdom of the Crystal Skull -- which, for those who've been counting down the seconds (looks away in shame!), hits theaters in less than one week! Congrats to Anthony T. (who won the first three Indiana Jones films on DVD) for a caption that was, well, a real hidden treasure.
1. "We've finally made it to the tomb of the ... Goddammit Nicolas Cage!!!! What are you doing here?!!" -- Anthony T.
2. "Unbeknownst to the two adventurers, the shadowy figure behind them had just enough silly string left to seal their doom..." Sean A.
3. "Geez, Dr. Jones. I know I told you I'd help you clean out your attic, but I'm going to need more than $10 an hour..." -- Pete M.
This week we're all returning to the land of Narnia in honor of the highly-anticipated sequel to The Lion, the Witch and The Wardrobe: The Chronicles of Narnia: Prince Caspian. We're not asking you to take out the villains and save a prince, mind you, but we would like a funny caption for the photo below. In return, you see, three lucky winners will be awarded one Chronicles of Narnia: Prince Caspian cast-signed poster, one Chronicles of Narnia: Prince Caspian soundtrack and one Chronicles of Narnia: Prince Caspian illustrated "making of" book. You know the drill ...
Luckily for Tom Cruise, the latest rumors surrounding him have nothing to do with Valkyrie -- for once, there's some good news for the much-maligned movie star (a round of applause, please, if you will). Yesterday, Moviehole confirmed reports that Cruise is in talks to star as the US president in Philip Noyce's DC thriller, 28th Amendment -- and according to their sources, an official announcement will be made as soon as the paperwork has been completed.
Cruise would star opposite Denzel Washington as President Ben Cahill. Tom Cruise as President? Really? Plot follows the adventures of a commander-in-chief who learns that he has no real sway at the White House after uncovering a secret organization (run by Washington) that has been the 'power behind the throne' since WWII. Unfortunately for Cahill, this group has no qualms about bumping off presidents (grassy knoll, anyone?) and as he starts to put the pieces together, he becomes the next target -- which will probably give Cruise plenty of opportunities to show off that run of his.
This comes courtesy of ComingSoon.net, who had the exclusive debut. You can head over there for a super huge version if you like. It's a good looking poster, and a big improvement over the cartoonish promotional artwork from the first film. I dig the simple, to-the-point posters like this, so much classier than cramming the entire cast in. It does seem as if he has wandered into sepia-toned Sparta, though.
Hey campers, it's time for another edition of The (Mostly) Indie Film Calendar, in which we tell you about the non-blockbuster, non-studio offerings that you can find in theaters this week. In a world where the multiplexes are packed, we proudly say: Chronicles of what now? If you know about something cool happening -- a local festival, repertory films, retrospectives, etc. -- let me know and I'll put it in the calendar! You'll find me at Eric.Snider (at) Weblogsinc (dot) com.
First up, we have a few...
INDIE THEATRICAL RELEASES
Reprise is a Norwegian film about two friends, both would-be authors, who submit their manuscripts on the same day and go through all the rigors of an artist's life together. Cinematical's James Rocchi lavishes all kinds of praise on it in his review. Opens today in New York and L.A.
How the Garcia Girls Spent Their Summer is a comedy about three generations of Mexican-American women enjoying their sexuality (not with each other, gross) one summer. Girl power! Ugly Betty is in it, but the film is from before she became Ugly Betty: It premiered at Sundance in 2005 (!) and is just now finally being released. Opens today all over California, as well as in Chicago, Miami, Houston, Dallas, Amarillo, Phoenix, and Mesa.
After the jump, more theatrical releases, plus our city-by-city rundown of special events taking place this week.
I am, by no means, a big fan of medieval themes, although a movie here and there, or an occasional trip to a Renaissance Faire is fun. But man, Ironclad is sounding awesome. Variety reports that the film is the first project for the newly formed Mythic International Entertainment, and will be directed by Jonathan English.
Set in 13th century England, the film will focus on "a small band of knights who defended Rochester Castle against the tyrant King John." There's no mention of who the signed leads are playing (presumably knights), but if James and Paul sign on, Purefoy will play the lead night, and Giamatti will be King John.
It sounds great to me! After John Adams, I've been on a total Giamatti kick, and along with actors like Attenborough and Postlethwaite, this could be one hell of a great action film.
Dressed in an impeccable suit and a pair of hip trainers, Joachim Trier looks like one of the characters in his acclaimed film Reprise. He seems like one of Reprise's characters, as well; bright, self-aware, given to both bold pronouncements and sly moments of self-deprecation. Trier's film won accolades on the festival circuit and even won Norway's Amanda award for best direction and best screenplay; chronicling the lives of two best friends with shared ambitions of literary glory, Reprise manages to be clever without being cool, hip without being insular, and conveys both the better natures and the human flaws of its characters. It's also startlingly funny, and while all the hip narrative touches in the film are clearly deliberate, they manage to be cool without ever for a moment seeming cold.
Trier spoke with Cinematical in Los Angeles about writing Reprise, the challenges of getting a European film to an American audience, the universal fashion code of Fred Perry shirts and how he's already said "No" to the idea of remaking his own film for American audiences. This interview, like all of Cinematical's podcast offerings, is now available through iTunes; if you'd like, you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below: